I was born in 1973, in Chingola, Zambia.
My childhood was spent there and in the UK (in Cornwall, and in Surrey, Worcestershire and Kent), the US (in Colorado, and Nevada) and Jakarta, Indonesia. My father was a mining engineer, and my mother was a teacher. They took my brothers and me with them wherever they travelled, until, later on, we went to English boarding schools and flew home for the holidays.
I studied English at Worcester College, Oxford, where I was a choral scholar. During my degree I worked as a musician, a waitress, a barista, a film extra, and in a chrysanthemum factory. I went to law school, then qualified as a commercial lawyer with Clifford Chance LLP. At the firm’s London office, I worked in insurance litigation, corporate finance and pensions. In their Singapore office, I bought and sold aeroplanes and gas power projects, and assisted with the litigation coming out of the collapse of Barings Bank.
At around that time, I read an interview with Ian McEwan. ‘If you want to be a writer,’ he said, ‘get a job which requires you to write every day.’ Taking his advice, I became a reporter for the Incorporated Council of Law Reporting for England and Wales (the ICLR), covering cases from the High Court and the Court of Appeal. For several years, I worked in and around the Royal Courts of Justice, watching stories unfold, and writing them up for publication in the Law Reports and the Times Law Reports.
In my late-thirties, when my short fiction was accepted by Stand and The Warwick Review, I wrote my first novel, Every Contact Leaves A Trace. The novel was published in the UK in 2012, and later in the US and in translation. In 2013 it was longlisted for the Authors’ Club Best First Novel Award.
My new novel, Silver and Salt, was published in April, 2017. I live in London, where I am an occasional freelance reporter for the ICLR, a reader and judge for the Society of Authors and the Royal Society of Literature, and a Royal Literary Fund Fellow at the London School of Economics and Political Science, within LSE LIFE. I am a creative writing mentor for new writers (giving a tailored 6-month course as a first novel progresses, or my own ‘MOT’ of a completed manuscript, with notes and edits) and run creative writing workshops for small groups.